Bad or blockbuster, movies opening on July 4 are some of the most unforgettable films of all time.

A holiday weekend plus warm weather plus lawn work adds up to me not focusing on a new movie for this week’s column. So here are some short takes and quick observations:

“How to Win A Cosmic War: God, Globalization, and The End of the War on Terror,” by Reza Aslan. Random House. $26. Hardcover.

Reza Aslan is a Los Angeles-based writer, commentator and Islamic scholar. His new book is, “How to Win A Cosmic War: God, Globalization, and The End of Terror.”

"Jerichow" is the story of two men and one woman with lots of secrets among them, mostly about things in their various pasts that they would rather remain hidden.

I laughed at some of the gags in Mel Brooks' "The Producers," but I also felt uncomfortable with many of the portrayals. I wrote this in my notebook: “Gay minstrel show.”

As a bank robber, John Dillinger  demonstrated some style. Unfortunately, these scenes don't appear in "Public Enemies." Director Michael Mann focuses instead on Dillinger's physicality as a bank purloiner, leaping on top of counters, threatening bank employees and blasting his way out of jams.

When I was a kid, growing up and impressionable, Michael Jackson was the coolest person. I wanted to sing like him, dance like him, dress like him – I wanted to be him. My parents even got me a Michael Jackson coat one year for Christmas. I was the bomb, doing a little dance and turning around.

Dinosaurs, Dillinger, and a pair of films imported from Europe.

Computer animated movies have come a long way. They typically attract top-notch talent for the voice work and, while aimed mostly at children, have enough oomph to keep an adult entertained. That’s why, when a derivative stinker such as the first “Ice Age,” rolls around, it’s almost shocking.

The Curly Joe Harper Blues Band takes the lead at the Blues Jams Thursday, July 2 from 8 TO 11 p.m. in Turner Hall, 518 Vine Street, Boonville. Admission is $6.

“Ice Age: Dawn of the Dinosaurs” may start out slow and dumb, but once it finds its feet and begins to evolve and adapt, it grows into something pretty special.

Whoever thought it a good idea to cast Johnny Depp as the infamous John Dillinger should be shot in a dark alleyway, along with director Michael Mann.

For two years, Larry Tye pored through thousands of research pages and wrote hundreds of pages about an often-overlooked American icon: baseball great Leroy “Satchel” Paige. Satchel’s story, said Tye, is about overcoming “every obstacle any human being could ever imagine.”

A short film is tricky. If it has too much story, it feels crowded, and viewers wonder why it wasn’t a full-length movie. But if it’s too slight, it can feel dull no matter how short it is, and viewers will get bored and switch it off.